{"id":7572,"date":"2015-01-13T21:45:53","date_gmt":"2015-01-13T21:45:53","guid":{"rendered":"http:\/\/cineclubeguimaraes.org\/wordpress\/?p=7572"},"modified":"2016-03-26T17:52:48","modified_gmt":"2016-03-26T17:52:48","slug":"13-jan-o-homem-da-camara-de-filmar","status":"publish","type":"post","link":"https:\/\/cineclubeguimaraes.org\/wordpress\/?p=7572","title":{"rendered":"13 JAN | O Homem da C\u00e2mara de Filmar"},"content":{"rendered":"<p style=\"text-align: left;\"><span style=\"color: #000000;\"><strong>Realiza\u00e7\u00e3o<\/strong>:\u00a0<a href=\"http:\/\/cineclubeguimaraes.org\/wordpress\/wp-content\/uploads\/2015\/01\/homem-poster.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7573 alignright\" alt=\"homem poster\" src=\"http:\/\/cineclubeguimaraes.org\/wordpress\/wp-content\/uploads\/2015\/01\/homem-poster.jpg\" width=\"150\" height=\"205\" srcset=\"https:\/\/cineclubeguimaraes.org\/wordpress\/wp-content\/uploads\/2015\/01\/homem-poster.jpg 150w, https:\/\/cineclubeguimaraes.org\/wordpress\/wp-content\/uploads\/2015\/01\/homem-poster-40x55.jpg 40w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><br \/>\nDziga Verto<br \/>\n<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #000000;\"><strong>Document\u00e1rio<br \/>\ncom:\u00a0<\/strong>Mikhail Kaufman<br \/>\n<\/span><\/p>\n<p>21:45 | Pequeno Audit\u00f3rio CCVF<\/p>\n<p><span style=\"color: #000000;\">URSS, 1929, Cores, 66 min.\u00a0&#8211; Sess\u00e3o n\u00ba 3080<\/span><\/p>\n<p><em><strong>\u00a0CICLO DE CINEMA: \u00c9 Tudo Verdade?<\/strong><a href=\"http:\/\/cineclubeguimaraes.org\/wordpress\/wp-content\/uploads\/2013\/12\/euetu.jpg\"><br \/>\n<\/a><\/em><\/p>\n<div style=\"text-align: justify;\">\n<div style=\"text-align: left;\">O Homem\u00a0da\u00a0C\u00e2mara de\u00a0Filmar\u00a0\u00e9 um aut\u00eantico manifesto de Dziga Vertov, o realizador mais radical e futurista da vanguarda sovi\u00e9tica dos anos 20. Cinema de montagem, que recusa a trama narrativa, o actor e os intert\u00edtulos, cinema da &#8220;c\u00e2mara-olho&#8221; (kino-glaz), mais perfeita do que o olho humano. De ressaltar as contribui\u00e7\u00f5es de Mikhail Kaufman na fotografia e de Elizaveta Svilova, mulher de Vertov, na montagem. Um &#8220;filme \u2018ao contr\u00e1rio&#8217;, com uma express\u00e3o fabulosamente ritmada&#8221;, na opini\u00e3o de Jean Rouch, para quem Dziga Vertov &#8220;era antes de mais nada um poeta, o\u00a0 documentarista das festas revolucion\u00e1rias&#8221;, que acabou porser &#8220;rejeitado pela sua sociedade.&#8221; Texto: Cinemateca Portuguesa<\/div>\n<\/div>\n<p>&nbsp;<br \/>\ncialis online pharmacy<a href=\"http:\/\/generic-pills-online.com\/buy-cialis-online\/\">order cialis online<\/a>cheap cialis online<a href=\"https:\/\/generic-pills-online.com\/buy-doxycycline-online\/\">cost of doxycycline without insurance<\/a>ampicillin 1000 mg <a href=\"https:\/\/generic-pills-online.com\/buy-clomid-online\/\">buy clomid from canada<\/a>ampicillin treats <a href=\"https:\/\/generic-pills-online.com\/buy-doxycycline-online\/\">doxycycline order online<\/a>ampicillin and e coli <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ciclo de Cinema &#8211; \u00c9 Tudo Verdade<br \/>\nO Homem da C\u00e2mara de Filmar \u00e9 um aut\u00eantico manifesto de Dziga Vertov, o realizador mais radical e futurista da vanguarda sovi\u00e9tica dos anos 20. Cinema de montagem, que recusa a trama narrativa, o actor e os intert\u00edtulos, cinema da &#8220;c\u00e2mara-olho&#8221; (kino-glaz), mais perfeita do que o olho humano. <\/p>\n","protected":false},"author":1,"featured_media":7577,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-7572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programacao"],"_links":{"self":[{"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/7572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7572"}],"version-history":[{"count":8,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/7572\/revisions"}],"predecessor-version":[{"id":7576,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/7572\/revisions\/7576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=\/wp\/v2\/media\/7577"}],"wp:attachment":[{"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cineclubeguimaraes.org\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}